Reviews

“Miyagi sparkles as Natasha” - Lindsay Christians (The Cap Times)

“Miyuki Miyagi’s crystal vocals sparkle” - Gil Kaan (Broadway World)

“Miyuki Miyagi best represents the magnificence and passion of Brel’s songs. Her enchanting voice has that little something extra that separates hers from others of her ilk – a bell-like soprano with a husky, honeyed edge that puts an exclamation mark on her singing.” - Cary Ginell (VC on Stage)

“A performer with eye-catching charisma” - Paul Myrvold (Paul Myrvold’s Theatre Notes)

“Miyuki Miyagi’s take on ‘Timid Frieda’ is a revelatory delight” - Brian Wallace (Edge Media)

“Much of the pathos of the evening comes from Miyuki Miyagi, which is noteworthy since she has the fewest numbers in the cast—just two or three major songs. In “Timid Frieda” …she conveys the fear and powerlessness of the character with specific, aching realism. With her contained, subtle movements, she sent chills up my spine. In some songs, like “Sons Of,” she held my attention even though she wasn’t even singing. She doesn’t pull focus, not at all, but she’s just so there, a singer and actress who seems to stay in the moment always.” - Samuel Garza Bernstein (Stage and Cinema)

“Bell-like soprano” - Steven Stanley (StageSceneLA)

“Ms. Miyagi and Mr. Thompson provide intelligent, skillful support, detailed and on target in their three-dimensional character delineations.” - Town Topics

“Miyuki Miyagi has a delicious time playing the volatile Italian Gabriella, trying desperately to cling to a dream.” - Stewart Duncan (PrincetonInfo)

“One of the other standout performers was Miyuki Miyagi, who displays impressive versatility, clean vocals and a genuine stage presence. From playing a frustrated teen whose real life woes are mistaken for scripted antics in "Method Acting" to a love-stricken Cleopatra, Miyagi commands the stage with energetic performances.” - The Daily Princetonian